Silverchair

04-12-1996

"FREAK SHOW" PREVIEW

During the band's December 1996 visit to Los Angeles, Guitar World magazine caught up with silverchair's Daniel Johns and Chris Joannou for a preview of Freak Show.

"It seemed like a good theme for an album and a tour," Johns told Guitar World. "Being in a band is a lot like working in a circus or freak show. You set up and play, and then pack up and move to the next city."

The magazine's poinmt of view: "Even if life is a carnival for the teenaged Australian power trio, their sophomore effort demonstrates that they are not clowning around. Intense new songs like Slave, Abuse Me and Cemetery reveal a darker, more disturbing vision than their multi-platinum debut, frogstomp."

"We didn't sit down and say, 'OK, we're going to write a really dark album'," Johns explained in the interview. "It just came out like that. We did, however, have a pretty strong idea of what we wanted Freak Show to sound like. We were trying to fuse a really hard, compressed sound associated with bands like Helmet and Quicksand with a looser, live-in-the-studio approach associated with producer Steve Albini. We got somewhere in between and we're really happy with it."

Guitar World's story on the interview appeared in the magazine's February 1997 issue.

02-12-1996

BACKSTAGE AT THE "FREAK" VIDEO SHOOT

Ben Gillies, Chris Joannou and Daniel Johns were in a Hollywood studio on Thursday, December 5 to do their parts in the film clip for Freak, one of the 13 songs on silverchair's forthcoming album Freak Show. Gillies revealed the plot of the video in an exclusive interview with chairpage.

"We're playing in an oven and there's these big coil things making us sweat a lot," he said. "There's this scientist guy in this big white robe kind of thing collecting all our sweat, and there's a real old lady, and they're pumping our sweat in this real old lady.

"By the end of the film clip she like, goes younger. She turns into a young girl but it's not like a fountain of youth, she turns into a young girl but she turns into a lizard as well, so it's pretty funny."

Although the video was shot in the U.S., Freak will be the second single in North America and the first in the rest of the world. Abuse Me will be promoted first in the U.S. and Canada, and the clip for that song was recently filmed in Australia.

A correspondent for chairpage.com was in the studio while the first portion of the Freak video was being filmed.

"The set was neat," our correspondent reports. "It was circular, similar to the shape of the set in the Chili Peppers' Warped video. When I first walked into the studio I thought that the lights were actual heat lamps, but then I realized they were just lights colored orange to look like heat lamps. So I guess you could say it really did look like a really big oven.

"They had to spray the guys with a lot of water to make it look like they were sweating a lot, and then the scientist guy would come on stage with prongs and a cotton ball and wipe a little bit of 'sweat' off of them and put it in a container. The guy was pretty funny looking -- he was wearing this space-suit type of thing.

"They didn't have to do that many takes, but they did film each section different ways, so they'd have a good variety of things to edit together. At first they had all three guys on stage, then one would step off and they'd just use two, and then they filmed each band member individually.

"Daniel had a silver guitar, Chris had a silver bass, and Ben had cherry red drums. I had the chance to hear the studio version of the song and it sounds really good! It's a bit slower than the live version and it's different from the versions they played on their tours earlier this year. But it sounds very good. There are even some back-up vocals on one part.

"I didn't get the chance to stay until the end of filming for that day, but I did find out that the lizard and old lady parts were going to be filmed at a seperate studio the following day. It was really great being there and getting the chance to see Freak being filmed. I can tell you now, there¹s a lot to look forward to for that video!"

10-11-1996

OFFICIAL SILVERCHAIR INTERNET SITE DEBUTS

Silverchair now have their own Internet home page at www.chairpage.com.

Much of the content of the new site originated at two fan-based sites: the Innocent Criminals page and the Israel's Son web site.

The band itself owns the chairpage.com domain name, and the site will work in cooperation with the Internet operations of Sony Music Entertainment, which is the parent company of silverchair's record label, murmur.

01-09-1996

SILVERCHAIR RECEIVE SPECIAL AWARD

The Australian music industry presented silverchair with an Outstanding Achievement Award at the 10th annual ARIA (Australian Record Industry Association) Awards Sept. 30, 1996 in Sydney. It was the first time since 1990 that the association has presented an Outstanding Achievement Award.

Because they were traveling between shows in Adelaide and Melbourne, Chris Joannou, Ben Gillies and Daniel Johns were not able to be present to accept the award in person. However, they recorded a thank-you message for playback at the ceremonies:

Ben: G'day. We're really happy to be collecting this award on behalf of Josh Shirley. Sorry we can't be there to pick it up in person, but we're on tour at the moment.

Chris: A lot of people have helped us out over the last couple of years, and we'd especially like to thank our families, our manager Watto, Brett Oaten, and our crew. And we'd also like to thank, umm, John, Denis and Susan and everyone else at our record company.

Daniel: Most of all though, I'd like to thank anyone who likes our music or has come to any of our gigs. And last of all I'd like to say Triple J has helped out Australian music and bands a lot over the past few years so please don't mess with Recovery or Triple J. Thanks a lot. Goodbye.

[The people mentioned by Chris are manager John Watson, lawyer Brett Oaten, Sony Music Australia chief Denis Handlin, and John O'Donnell and Susan Robertson of murmur.]

In 1995, silverchair were nominated for eight ARIAs and won five: Best Australian Single, Best Australian Debut Single and Highest Selling Australian Single for Tomorrow; Best Australian New Talent and Best Australian Debut Album for Frogstomp.

Consistent with their desire to stay out of the media spotlight, silverchair didn't accept any of the awards on stage, sending Josh Shirley, the young son of Frogstomp producer Kevin "Caveman" Shirley, to pick up their honors. Last year's ceremonies were highlighted when silverchair teamed up with You Am I lead singer Tim Rogers for to cover the Australian punk classic New Race by Radio Birdman.

The 1996 awards covered the period from July 1, 1995 through June 30, 1996. Even though silverchair did not put out a record of their own during that time, the band was nominated as Best Australian Group on the basis of the release of Blind, which was re-recorded for the motion picture soundtrack of The Cable Guy. The band did not expect to win in that category (Regurgitator were named best group for 1996), but according to manager John Watson, silverchair were honored just to be nominated.

[Thanks to Melinda Simons for the transcript.]

02-08-1996

SILVERCHAIR MIX 14 TRACKS FOR SECOND ALBUM

Silverchair's major activity in July of 1996 was to begin mixing the 14 tracks for their highly anticipated second album. The band also played five shows in Australia before and after the trip to New York for the mixing sessions with producer Nick Launay and engineer Andy Wallace.

Ben Gillies and Daniel Johns flew in from Sydney with manager John Watson on the morning of July 19th. They joined Launay and Wallace at one of New York's premiere mixing studios and began working on final mixes of the 24-track recordings they had made at Festival Studios in Sydney the month before.

Though Watson, Gillies and Johns had to return to Australia just four days later to prepare for two shows the following weekend in North Queensland, Wallace and Launay remained in the studio and completed the mixing of eight songs. The balance of the work was scheduled for completion in October.

Mixes completed in July 1996:

* Roses
* The Door
* Freak
* Lie To Me (tentatively called "Liar")
* Abuse Me
* Pop Song For Us Rejects
* Slave
* Learn To Hate

Signs posted by Daniel Johns on the back of the chairs of Nick Launay and Andy Wallace at the mixing desk in New York:

* "Nick can really fuck you up so don't mess with him 'cause he's a big fucker."
* "Andy is a hard-core hero."

Daniel Johns and Ben Gillies in New York, July 1996 While in New York, Johns, Gillies, Watson and Launay paid a visit to the Coney Island High music club in the East Village to take in a set by Australia's You Am I.

A reporter from Canada's YTV channel was on hand, and she asked Daniel to interview YTV's Tim Rogers.

Daniel: [smiles at the camera] No problem. Tim, what brought you to this festival, was it because of Lollapalooza?

Tim: It was actually a blind date between you and me!

Daniel: Mmm!

Tim: And oh yeah, you're pretty good looking!

Daniel: Yeah, you are too! [grins] Tim, are you homesick yet?

Tim: Daniel, I'm not homesick any more after seeing you!

YTV: That ring on your brow... is brand new, well, since I've seen you anyway which was like eight months ago, so you just recently got it?

[Close up on the eyebrow ring. Daniel stares into the camera]

Daniel: Yeah, it's an engagement ring! Tim proposed to me! [Tim and Daniel smile]

YTV: Oh! Did it hurt? Daniel: Um, no not really, 'cause it was all for the right reasons, ya know. [scratches his neck]

YTV: All in the name of rock 'n' roll?

Daniel: All in the name of love!

YTV: For Tim.

[Tim winks at the camera]

YTV: This is sweet, this is the sweetest date I've ever encountered!

[Daniel laughs]

YTV: Bye guys, thank you!

Daniel: [laughs and waves] See ya later!

[Thanks to Meg (duckett@astral.magic.ca) for the transcript.]

01-08-1996

SONGS ON THE NEW ALBUM

silverchair's new album will feature at least 13 new songs, the innocent criminals pages have learned. The follow-up to the band's highly successful debut frogstomp is due in February from murmur (Sony). A total of 14 songs were recorded between May 30 and June 22 at Festival Studios in Sydney, Australia.

Nick Launay is producing the new release, which as yet has not been given a title. Launay (who has also produced such bands as Midnight Oil, Public Image Ltd. For Squirrels, Birthday Party and Talking Heads) produced the new version of silverchair's Blind, which appears on the Sony Records soundtrack for the motion picture The Cable Guy.

Launay and New Jersey's Andy Wallace, one of the world's premier mixing engineers, have completed the mixing of eight of the tracks, with the balance due to be finished in October. Wallace's mixing credits include albums by Nirvana, Smashing Pumpkins, Rage Against the Machine, Helmet and Sepultura.

As with frogstomp, the songs were written by Daniel Johns and the collaboration of Ben Gillies and Daniel Johns. Gillies and Johns recently flew to New York along with manager John Watson and murmur's John O'Donnell to assist in the mixing process. During the band's brief stay in New York, Gillies told the innocent criminals pages that silverchair would play several shows in North America prior to the release of the new album, in addition to the eight dates already set for late September and early October in Australia. Many of the new songs will be played on these dates before the release of the new album.

The songs include six which have been live by silverchair in performances prior to this month:

No Association
Freak
Slave
Pop Song For Us Rejects
Learn To Hate
Nobody Came

Three of the remaining songs recorded for the new album were performed at shows in Australia in late July:

Cemetery
Roses
The Door

Five songs have not been heard by live audiences anywhere:

Abuse Me
The Closing
Petrol and Chlorine
Punk Song #1
Punk Song #2

Punk Song #1 has also been referred to as Liar, while Punk Song #2 has been called Better. Punk Song #2 is not expected to be included on the new album. Punk Song #1 will have a different, official title.

01-07-1996

SILVERCHAIR SPEAK OUT AGAINST PROPOSED MUSIC FUNDING CUTS

The three members of Silverchair have spoken out publicly against the Australian government's proposal to cut funds for youth television and radio programming, including the popular modern rock radio station Triple J .

Previously, silverchair have avoided public comment on anything other than their music. But according to a press release from John Watson Management provided to the innocent criminals pages, "the potential impact of these funding cuts meant that silverchair felt compelled to join the growing movement against this Federal Government initiative."

Triple J gave silverchair widespread exposure even before the band had secured a record contract. As Innocent Criminals, Chris Joannou, Ben Gillies and Daniel Johns won a competition in which one of the prizes was a session in Triple J's studios. The station played Tomorrow in heavy rotation, and the ensuing avalanche of positive listener reaction led to a recording contract with murmur and Sony.

"It it wasn't for Triple J and shows like Rage and now Recovery, we probably would still be just playing in the garage and struggling to get gigs," Gillies said in the press release, the complete text of which follows:

Silverchair Denounces Proposed Funding Cuts To ABC Youth Programming

Newcastle band silverchair have spoken out against proposed [Australian] Federal Government cuts to ABC youth programming.

Throughout their career the multi-platinum selling band has tried to keep a low media profile, generally avoiding public comment on anything other than their music. However, the potential impact of these funding cuts meant that silverchair felt compelled to join the growing movement against this Federal Government initiative.

Possible changes to the national youth broadcaster, Triple J, are of particular concern to the band as are proposed cutbacks to other important youth programming such as ABC TV programs Recovery and Rage.

"Triple J is the about the only place that most Australian kids can hear about things that matter to young people", said silverchair singer/guitarist, Daniel Johns.

"They play more new music than anyone else -- particularly by Australian bands," said the group's bass player, Chris Joannou. "It it wasn't for Triple J and shows like Rage and now Recovery, we probably would still be just playing in the garage and struggling to get gigs."

The band's drummer, Ben Gillies, added the following comment:

"Just because kids can't vote, the government probably thinks that it won't matter if they cut out things that are important to people our age. But I reckon the government should remember that people who are 16 or 17 at the moment will all be voting in a couple of years. If they cut things like Triple J then I don't think the government will be too popular with all these new voters."

31-05-1996

SILVERCHAIR NAME NEW PRODUCER

Nick Launay is the producer of silverchair's new album, tracks for which are currently being laid down in an Australian studio. Launay and the band co-produced the new version of Blind for The Cable Guy motion picture soundtrack at Megaphon Studios in Sydney. Launay also produced Automatic's What If... single for murmur.

Andy Wallace, who mixed Sepultura's Roots album, will mix silverchair's latest CD. Wallace worked on the Sepultura album with producer Ross Robinson, who also performed the same duties for KoRn.

silverchair's highly successful debut frogstomp was produced by Kevin "Caveman" Shirley. The change in producers to Launay could be seen as a move by the band to complement the heavier, darker sound they are trying to achieve with their latest songs.

23-12-1995

SILVERCHAIR SPENDING TIME IN THE U.S. BEFORE HOLIDAYS

Silverchair spent much of the month of December 1995 in the United States before returning home for the holidays and a New Year's Eve show in Perth.

One of the highlights of the month was an appearance as the musical guests on NBC's Saturday Night Live. The band performed two songs -- Tomorrow and Pure Massacre, both of which can be seen in RealVideo in the Reports from the Road section.

02-10-1995

SILVERCHAIR HONOURED WITH FIVE ARIA AWARDS

Silverchair were honoured with five awards at the Ninth Annual Australian Record Industry (ARIA) ceremony at Sydney's Darling Harbour convention centre on Oct. 2, 1995.

The band were nominated for eight awards and won in the following categories:

Best Australian Single (Tomorrow)
Best Australian Debut Single (Tomorrow)
Highest Selling Australian Single (Tomorrow)
Best Australian New Talent
Best Australian Debut Album (frogstomp)

In typical silverchair style, the band members chose not to go to the podium to accept any of their awards, instead sending up Josh Shirley, the young son of frogstomp producer Kevin "Caveman" Shirley.

silverchair did make an appearance on stage, however, teaming up with You Am I lead singer Tim Rogers for the ARIA Awards closing number, a performance of the Radio Birdman track New Race.

At the end of the song, Ben Gillies decided to take a header at the front of his bass drum. A slit was supposed to have been cut in the drum skin but it wasn't, so Gillies was left seeing stars for a moment.